Text sits at true orientation. Turn the device to read.
N

SubjectThere's a short flight down, and then the floor changes — carpet to that sealed concrete, the gray with the flecks in it. And then you turn left into the corridor and —

— the corridor turns east —

Subject— and it's longer than you expect. That's the thing everybody says about that corridor. It's not actually long, it's just that there's nothing in it, so it reads as long.

CarrowDescribe what's in it.

SubjectNothing. That's what I'm telling you.

CarrowDescribe the nothing.

SubjectFine. There were four doors along the right-hand side, and I remember thinking the numbering was strange — six, then eight, then ten, then twelve, then fourteen — because that's not how you'd number a corridor that short.

CarrowYou're walking at what pace?

SubjectNormal. Walking pace.

CarrowNot slowing.

Subject— no.

SubjectI went in.

— — —
Same content, four cameras. What to judge: does Pivot still feel like the corridor turned, or does it feel like an ordinary page? Does Snap avoid the queasiness Pivot might cause? Does Linear lose anything a clue could have been hiding in?